Cambridge Corn Exchange, 20th November 2015
All of which techie wobbliness was rather unfortunate, because it was actually rather a good gig. Marina Diamandis combines a genuine talent for writing good old-fashioned catchy choruses with a certain amount of stage presence and charisma. This in turn meant that, although she had assembled a highly competent band for this tour, she genuinely didn't need to hire any backing singers; when she wanted vocal filling, all she had to do was point her microphone at the standing audience down at the front and tell them to supply it. (Diamandis does say that the "Diamonds" are her fans, after all...) This approach did leave her slightly more restrained and introspective songs, such as the rather cool "Immortal", looking a little out of place, but overall this was an effective pop-as-in-popular performance. Diamandis manages to be a plausible feminist while wearing three different glittery costumes, one including cute mouse ears, in a ninety minute show, too.
It has to be said that Diamandis's songs aren't as clever as they maybe think they are; the message in the likes of "Savages" is hardly subtle. But then, it's pop music, and its heart is absolutely in the right place. Worth a little waiting and some being dazzled.
Thursday, November 26, 2015
Thursday, November 05, 2015
The Wars of Atlantis did appear (and still looks nice). But anyway, the other significant thing is the appearance of Transhuman Space: Bio-Tech 2100, my latest TS product, as a PDF from Warehouse 23 - an extended analysis of the place of biotechnology in the world of 2100, in both historical and game-mechanioal terms. Other stuff is still waiting. Print buying can evidently be a big job these days.